Wednesday, September 15, 2021 at 1 p.m. (EDT)
A presentation of the 2021–2022 cohort of Goizueta Foundation Graduate Fellows as they highlight and discuss their research using materials and resources from the Cuban Heritage Collection.
Launched in 2010 with a generous grant from The Goizueta Foundation, the Goizueta Graduate Fellowship Program supports doctoral research at the University of Miami Libraries Cuban Heritage Collection with the goal of engaging emerging scholars with the materials available in the Cuban Heritage Collection, contributing to the larger body of scholarship in Cuban and Cuban diaspora studies.
ABOUT THE PRESENTERS Andy Alfonso
Program in Latin American Studies, Princeton University
Andy Alfonso is a Ph.D. candidate in the Department of Spanish and Portuguese at Princeton University. He holds a B.A. (summa cum laude) from Cornell University. His research interests lie at the intersection of historiography, critical theory, and cultural studies, with a special focus on diasporic, circum-Atlantic exchanges from the colonial period to the present. Andy’s dissertation deals with archival methodologies, cheap or forced labor, and colonial necropolitics in the midst of the Cuban Revolution. He is particularly concerned with the “shadow lives” in post-1959 Cuba, that is, journeys and discourses that exceed the limits of official and counter-official narratives while challenging the linear, organic teleology of History and the Nation. Andy has published some of his research in Cuban Studies, the Afro-Hispanic Review, and Cuba Counterpoints.
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Elaine Penagos
Graduate Division of Religion, Emory University
Elaine Penagos is a doctoral candidate in the Graduate Division of Religion at Emory University. She received her B.A in religious studies from the University of Miami and her M.A in religious studies from the University of Denver. Her work examines African heritage and Latinx religious practices, narratives, popular culture, and aesthetics. Her dissertation research explores orisha stories from La Regla de Ocha (Santería) as a form of religious poetics that demonstrate the power, potential, and theo-sociological implications of the reimagining of religious worlds.
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